Written in E♭, more attuned to “mood music”, with nods to cinematic soundtracks and music hall tradition, it reflects and engenders anxiety. Starting with a Hammond organ’s six ascending notes before a mournful flute solo, it paints a bleak aural and lyrical landscape. It is not part of any one social movement for change. It does not exhort its listeners into any one particular political view. It’s not explicitly against any one event. Perhaps because “Ghost Town” cannot be “placed”. “Free Nelson Mandela” by The Special AKA.
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